The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago Premiere production of L. M. Feldman's acclaimed theatrical mosaic A PEOPLE, at Theater Wit. Directed by world renowned actor, director and Jewish Culture activist Avi Hoffman, A PEOPLE invites Chicago audiences on a magical, lyrical journey through 5,000 years of Jewish identity, heritage, and humanity, brought to life by a dynamic ensemble of performers. The ensemble portrays a range of old and new-world characters, weaving together vignettes that question, affirm, and reimagine what it means to be part of a people. Historical and fictional characters, separated by generations, meet in a surreal landscape to explore their peoples' rich history and traditions, much of which they fear will be forgotten entirely. The play will preview June 18 and 19, 2026, prior to opening on Saturday, June 20^th at 7:30 pm,  and play through July 5^th. Performances are Thursdays, Fridays, and Saturdays at 7:30 pm and Sundays at 2:00 pm. There will be a special matinee celebrating  'Jewish Pride and Independence Day', Saturday, July 4 at 2:00 pm, as part of an ongoing initiative to celebrate Jewish Pride through world-class theater. 

Feldman's script is sometimes hilarious, sometimes searingly honest, as it weaves together old and new-world  voices to explore how all individuals wrestle with, deny, or embrace their heritage. The result is a vivid collage of characters and moments that illuminate the way we see life, the way we want it, and the way it really is.

YI Love Jewish is a global cultural initiative that advocates for Jewish Pride, builds cultural bridges and challenges antisemitism through the arts, while celebrating and promoting Jewish history, life, and culture, and their far-reaching impact on the world.

Arts Judaica, a Chicago-based 501(c)(3), is the city's only producing organization dedicated exclusively to exploring and celebrating Jewish history, culture, and arts through live theater, music, and educational programming. Together these two Jewish cultural organizations are presenting this play at Theatre Wit, a vital Lakeview venue known for its smart, intimate 98–99-seat black box spaces; they will bring together local and national voices in an accessible, neighborhood setting.

Tickets for A PEOPLE at Theater Wit are now available, with regular weekly performances Thursday–Saturday at 7:30 pm and Sunday at 2:00 pm. Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theatre Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657. For press materials, including show logo, production photos, and artist headshots, or to schedule interviews and press comps, please contact John Olson. 

LISTING INFORMATION
 
A PEOPLE
By L M Feldman
Directed by Avi Hoffman
June 18 – July 5, 2026
Thursdays, Fridays and Saturdays at 7:30pm and Sundays at 2pm.
Tickets will be $36 with group rates of 10 or more at $32
Opening will be a VIP special for $100.
Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theater Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657
More information at www.artsjudaica.com
 
A PEOPLE is a magical, lyrical journey into heritage, tradition, religion and humanity. Through vignettes, music and monologues, L M Feldman holds up a mirror to 5000 years of Jewish history, reminding us that we're all descendants from somewhere, and we choose to embrace our lineage, deny it, or wrestle with it. Hilarious and terrifyingly honest.
 
BIOS
 
L M Feldman (Playwright) is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Formally ambitious plays that move and take up space. Plays that are questioning, wrestling, and asking. Plays without answers. Plays about women and queers, plays about outsiders and searchers. Plays grappling with voice and agency, opportunity and access, history and its wake. Plays about the human connection. Plays that seek to be a greater, communal, rare theatrical event in which something transcendent transpires - for those both onstage & off.

Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker's dozen of short plays. She has been nominated for the Barrie and Bernice Stavis Playwright Award, Wendy Wasserstein Prize, Susan Smith Blackburn Prize, and the Doric Wilson Independent Playwright Award. She was awarded an artist grant through the Boomerang Fund and a creation grant from the State of Vermont, and she has been an artist-in-residence at Terra Firma, SPACE at Ryder Farm, the School of Making Thinking, Tofte Lake Center, Montana Artists Refuge, Montana Repertory Theatre, Sewanee University of the South, Cornell University, and Theater Emory/Brave New Works Festival. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg.
 
Avi Hoffman (Director) - Founder and CEO of Yiddishkayt Initiative, Avi Hoffman is a world-famous actor, who specializes in Jewish culture and Yiddish theater. His long-running "Too Jewish" trilogy has been seen by millions on PBS and in venues around the world. Based in Miami, Florida, he has produced and presented shows throughout North America, Europe and Israel. International Festivals include Romania, Poland, New York, Toronto, Montreal, Tel-Aviv and other European cities and countries. His connections in the theater, entertainment and film communities are extensive. He was awarded Congressional recognition, was invited to the Vatican to meet Pope Francis and was inducted into the Bronx Jewish Hall of Fame for his lifetime work advancing Jewish culture and was named a "Sage" by THE NEW YORK TIMES.      
 
ABOUT ARTS JUDAICA
Arts Judaica is dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the Chicago are, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives.

Our mission is to illuminate the richness of Jewish traditions and history, with a particular focus on educating audiences about pivotal events such as the Holocaust. Through thought-provoking productions, dynamic workshops, and meaningful collaborations, we aim to foster understanding, promote cultural dialogue, and inspire reflection among diverse audiences.

Arts Judaica, a tax exempt, 501c3 entity, is a unique and vibrant live theater/music/education organization based in Chicago, dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the city, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives. You can also see more about our work at https://www.artsjudaica.com.
 
ABOUT YI LOVE JEWISH
Performing arts, media, publishing, education, language, and literature, the mission of YI Love Jewish is to instill Jewish Pride and combat antisemitism by promoting Jewish history, life, and culture and their far-reaching impact on the contemporary world. Based in Miami-Dade County and in partnership with the University of Miami, YI Love Jewish builds engagement and forges multi-cultural and diverse connections through an immersive and varied range of programming for audiences around the globe. More information at YI Love Jewish https://yilovejewish.org

Buffalo Theatre Ensemble (BTE), the professional Equity theater company in residence at the McAninch Arts Center (MAC), announced it will mark its 40th anniversary season with three productions spanning beloved literary adaptations, classic suspense and broad British comedy. The season opens with "Louisa May Alcott's Little Women," by Lauren Gunderson (Nov. 12-Dec. 13). It will be followed by "Dial M for Murder" adapted by Jeffrey Hatcher, from the original by Frederick Knott,  directed by Steve Scott (Jan. 28-Feb. 28) and Richard Bean's "One Man, Two Guvnors" directed by Ensemble member Connie Canaday Howard (May 6-June 6).

"Forty years of sharing stories on stage has been made possible by our outstanding community of audience members who have made Buffalo Theatre Ensemble their theatrical home. These plays, filled with humor and heart, are a thank you to our loyal patrons and an open invitation to new friends to experience Buffalo Theatre Ensemble during this milestone season,"says Daniel Millhouse, Interim Managing Artistic Director.

BTE's 2026-2027 three-play season is as follows.

"Louisa May Alcott's Little Women"
By Lauren Gunderson
Director to be Announced
Nov. 12 – Dec. 13, 2026
Preview: Thursday, Nov. 12, Press Opening: Friday, Nov. 13
Performances: 7:30 p.m. Thursday - Saturday and 3 p.m. Sunday
Note: No show on Thursday Nov. 26 (Thanksgiving); added performance Saturday, Nov. 28 at 3 p.m.

In Lauren Gunderson's fresh and heartfelt adaptation of Louisa May Alcott's classic novel "Little Women," the beloved four March sisters step onto the stage with new vitality and emotional clarity. As Jo, Meg, Beth and Amy navigate growing up during the Civil War in Massachusetts, they chase dreams, confront loss and discover the fierce power of family. Gunderson, co-writer of the popular "Christmas at Pemberly" trilogy, illuminates Alcott's timeless story, celebrating imagination, resilience and the enduring bonds that shape who we become. Splash Magazine calls it, "an absolute delight from start to finish," and Chicago Stage and Screen calls it, "a heartwarming experience perfect for the holiday season."

"Dial M for Murder"
Adapted by Jeffrey Hatcher from the original by Frederick Knott
Directed by Steve Scott
Jan. 28 – Feb. 28, 2027
Preview: Thursday, Jan. 28, Press Opening: Friday, Jan. 29
Performances: 7:30 p.m. Thursday - Saturday and 3 p.m. Sunday

A sophisticated game of cat and mouse unfolds in this classic suspense thriller when a carefully constructed murder plot begins to unravel in unexpected ways. What follows is a razor-sharp battle of wits filled with deception, twists and chilling surprises. The Chicago Sun-Times says, "'Dial M' calls up a noirish universe filled with shady corners and shadier characters," and the Chicago Tribune calls it, "an entertaining evening of old-fashioned suspense." Originally written for a 1952 BBC broadcast, Knott's play was adapted for London and Broadway stages, TV and a 1954 Alfred Hitchcock film starring Ray Miland, Grace Kelly and Robert Cummings.

"One Man, Two Guvnors"
By Richard Bean
Based on "The Servant of Two Masters" by Carlo Goldoni
With "Tomorrow Looks Good from Here," Music by Grant Olding, Lyrics by Richard Bean  and Grant Olding
Directed by Connie Canaday Howard
May 6-June 6, 2027
Preview: Thursday, May 6, Press Opening: Friday, May 7
Performances: 7:30 p.m. Thursday - Saturday and 3 p.m. Sunday

The perpetually hungry Francis Henshall accidentally winds up employed by two men: a fearsome gangster and a criminal on the run. Both guvnors are entangled in a web of schemes, shakedowns and seductions. To keep his double-dealing a secret, Henshall must juggle both guvnors, chase a decent meal and win the girl. Playwright Bean transports the classic commedia dell'arte tale "The Servant of Two Masters" (1746) into the bright, brash world of seaside Brighton in 1963. Daily Variety calls "One Man, Two Guvnors" "...sheer comic delirium," and London Theatre calls it "one of the funniest shows I've seen ... a rip-roaring hit."

For each play, there will be a pre-show discussion before the Thursday preview performances, and a post-show discussion following the second Friday performance. There will be an ASL Performance on the fourth Thursday of each run.

Tickets

Subscriptions are now on sale. Those subscribing by June 10 save 25% off single show ticket prices. After that date, subscribers receive 20% off single show ticket prices. A Season Flex-Pass is also available redeemable for each production during BTE's 2026-2027 Season. Subscriber benefits include free ticket exchanges, invitations to subscriber nights, a subscription to the SuBTExt newsletter, 10% discount at the MAC Gift Shop and two complimentary tickets to a COD student performance. Subscriptions are $103.50 (Adult) and $99 (Senior) - add $9/subscription for all-in pricing. Online flex-pass subscription is $103.50, plus $9 subscription fee and additional online fees.  

Single show tickets for all BTE shows are $46. For all-in pricing visit AtTheMAC.org or call the box office at 630.942.4000. BTE's 2026-2027 Season performances will take place in the Playhouse Theatre of the McAninch Arts Center located at 425 Fawell Blvd. on the campus of College of DuPage. .

Single show tickets go on sale in July. For all-i n]pricing visit AtTheMAC.org or call the box office at 630.942.4000. Single show tickets for all BTE shows are $46. BTE's 2026-2027 Season performances will take place in the Playhouse Theatre of the McAninch Arts Center located at 425 Fawell Blvd. on the campus of College of DuPage.
About Buffalo Theatre Ensemble 

The mission of Buffalo Theatre Ensemble is to provide a forum in which artists, scholars, writers, students and community members explore new ideas and provocative issues through the production of quality theater for the enjoyment of its audiences. Since 1986 BTE has staged more than 125 productions. The Artistic Staff for BTE includes Daniel Millhouse* (Interim Managing Artistic Director), and Bryan Burke+* (Business Manager).

BTE Ensemble members are Aly Renee Amidei^, Robert Jordan Bailey*, Amelia Barrett*, Bryan Burke*, Connie Canaday Howard*, Rebecca Cox, Lisa Dawn, Nick DuFloth, Jon Gantt, Christopher Kriz^, Laura Leonardo Ownby, Michael W. Moon, Kurt Naebig*, Galen G. Ramsey*, William "Sandy" Smillie* and Kelli Walker. For more information about BTE, visit btechicago.com. 

*Denotes member of Actors' Equity;  ^Denotes member of United Scenic Artists

Buffalo Theatre Ensemble is partially supported and funded by generous grants from Arts DuPage, Choose DuPage, College of DuPage Foundation, The Norm Woodel Inspiration Fund, the DuPage Foundation, and the Illinois Arts Council Agency.

About The MAC  

McAninch Arts Center at College of DuPage is located 25 miles west of Chicago near I-88 and I-355. It houses three indoor performance spaces (the 780-seat proscenium Belushi Performance Hall; the 186-seat soft-thrust Playhouse Theatre; and the versatile black box Studio Theatre), the outdoor Lakeside Pavilion, plus the Cleve Carney Museum of Art and classrooms for the college's academic programming. The MAC has presented theater, music, dance and visual art to more than 1.5 million people since its opening in 1986 and typically welcomes more than 100,000 patrons from the greater Chicago area to more than 230 performances each season. For more information visit AtTheMAC.org.

The world‑renowned Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings the passionate, expressive rhythms of Spain to life at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., in honor of their 50th Anniversary Celebration—one performance only, Saturday, June 13 at 7:30 p.m.

"As the company celebrates its golden anniversary season, we are excited to present our company of dancers and guest artists for this special concert honoring the work of our founder, our company and everyone who has made it possible for us to provide the best in Spanish dance here and around the world," says Irma Suarez Ruiz, Dame Libby Komaiko Legacy Artistic Director.

"For five decades, Ensemble Español has shared the passion, rhythm, and soul of Spanish dance with Chicago and the world, one breathtaking step at a time. Now, we invite everyone to join us as we celebrate that history and ignite the passion that will propel us into the next 50 years" added Executive Director, Jorge Perez.

Audiences will experience a special 50th Anniversary performance revival of Dame Libby's iconic critically acclaimed "Boléro," danced by the only remaining original dancers of this ballet from its premiere in 1993, Ruiz and Perez. Lively musical accompaniment will be provided for a selection of Flamenco dramas by musicians Jose Moreno (Flamenco singer, guitarist), Andrea Salcedo (Flamenco guitarist), and Enrique Chavez (percussionist). Also joining the Ensemble Español will be classical guitarist, Brian Torosian.

The program is scheduled to feature the following works
· "Amangue" (2023): The program will open with the flamenco company work set in 2023 in the Buleria style by guest artist, Isaac Tovar, former principal of the National Ballet of Spain to original musical composition by renowned guitarist Curro de Maria.
· "Escenas Villanescas" (World Premiere): This Spanish classical premiere will feature the full company in Irma Suarez Ruiz's "Villanescas" set to the music ofEnrique Granados. Special thank you to Philip and Marcia Dowd production sponsors.
· "Pasion Oculta" (2019): This contemporary work by Irma Suarez Ruiz, set to the music of the all-female electronic string quartet from London, received rave reviews in 2025 by the Chicago Tribune hailing it "Tour de force...Pasion Oculta is a modern masterpiece."
· "Antecesores/Ancestors" (2025): This company flamenco drama performed to the songs and rhythms of Seville in Andalucía, southern part of Spain, is choreographed by newly appointed Associate Artistic Director, Jose Torres. The work pays homage to those who came before us in the world of Spanish dance and music.
· "Boléro" (1993): The Ensemble Español will present the revival of Dame Libby Komaiko's full company iconic "Bolero" to the music of Maurice Ravel thanks to the generous support of friend and donor Sonia Florian 1936-2025. This work has graced some of the greatest landmark theaters and dance festivals in the world to well over one million audience members and been featured in two documentaries. The New York Times called Dame Libby's "Boléro" "amazing" and said the piece "wowed the audience" at a sold-out performance at Joyce Theater in Manhattan.

Tickets

Ensemble Español Spanish Dance Theater: 50th Anniversary Celebration is presented at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m., Saturday, June 13. Tickets are $45 - $65 before ticketing and online purchasing fees. To purchase tickets and for more information visit NorthShoreCenter.org or call 847.673.6300. 

Group rates are available for groups of 10 or more. Call the North Shore Center box office for group sales (847.673.6300). For more information about the show, call Ensemble Espanol at 773.442.5916 or visit EnsembleEspanol.org.

About Ensemble Español Spanish Dance Theater

The Ensemble Español Spanish Dance Theater is the premier Spanish dance company and center in the United States. The ensemble is in-residence at Northeastern Illinois University, Chicago. The Ensemble Español preserves, presents, and promotes the four styles of Spanish dance: Flamenco, folkloric, escuela bolera and classical. Founded in 1975 by Dame Libby Komaiko, and incorporated in 1976, the organization is now under the leadership of Irma Suarez Ruiz, Dame Libby Komaiko Legacy Artistic Director and Jorge Pérez, Executive Director. The company is comprised of dancers, singers, guest artists, and musicians representing a mosaic of cultures from around the world. The organization is praised by educators, arts professionals, business and government leaders, as well as arts and cultural media for its artistic excellence, cultural integrity, and of course, its commitment to arts and higher education opportunities for all.

The Ensemble appears in a broad range of television, opera, Emmy-winning documentaries, film, and symphonic formats, including with the Chicago Symphony Orchestra. It has appeared in theaters and universities in Chicago and Illinois, including the landmark Auditorium, North Shore Center for the Performing Arts, Harris Theater and Symphony Center. The Ensemble has also toured throughout the United States (including Puerto Rico and Hawaii), Canada, and internationally, performing in countries across four continents, such as Mexico, Costa Rica, Poland, Australia, China, and Spain.

Steppenwolf's LookOut Series is proud to unveil its lineup for Summer 2026, marking ten years of steadfast dedication to Chicago performing artists and companies across form and discipline.

Since launching in 2016, the LookOut Series has hosted 1,043 performances of 365 unique engagements spanning dance, drag, music, comedy, puppetry, storytelling, experimental work and theatre. Over 69,000 patrons have come through the doors of the 1700 Theater to witness the work of more than 3,200 local artists. And the series has injected nearly one million dollars directly into the wallets of the artists and companies that it bolsters.

From June through August, LookOut is throwing a summer-long party to celebrate! Of the 18 unique engagements announced, highlights include many returning acts, including: the homecoming of the cult-classic variety show Erik and Jessie and Everyone You Know (hosted by Erik Hellman and Jessie Fisher), an experimental blending of sound and myth from the indescribable artist collective Mocrep (returning to Steppenwolf for the first time since 2019), the 11th Steppenwolf-hosted iteration of the endlessly popular storytelling showcase You're Being Ridiculous and the triumphant return of local drag icon Bambi Banks with a two week run of an all new drag parody show.

But the summer wouldn't be complete without newcomers to the LookOut Series performing at Steppenwolf for the first time. First time performers include: the comedy show Women Off-Colour, complete with sketches, musical numbers and more, The Lizzie McGuire Movie: The Play fresh off a sold out run at Color Club, award-winning "Comic-To-Watch" in the Chicago standup scene Deanna Ortiz and the Chicago premiere of Forgottonia, a music and storytelling show about West Central Illinois.

Steppenwolf Creative Producer and Co-Founder of the LookOut Series Patrick Zakem comments, "As Steppenwolf nears the end of its 50th Anniversary Season, we're excited to mark another institutional milestone: ten years of the endlessly eclectic LookOut Series. When we launched this program in May 2016, we didn't really imagine that we would still be going ten years later. But over the last decade, LookOut's programming has grown to be a vital resource for Chicago artists of all stripes, from dance and drag to comedy and music. We can't wait to celebrate with old friends and new – see you in the 1700 Theater!"

All LookOut performances take place in Steppenwolf's 1700 Theater, an intimate and flexible venue nestled behind Front Bar, 1700 N. Halsted St. in Chicago. Tickets, which range in price from $13 – $50*, are now on sale by visiting steppenwolf.org/lookout or by calling the Box Office at (312) 335-1650. *Pricing includes a $3 fee

The full Lookout Summer 2026 Season (in chronological order):

You're Being Ridiculous: Plot Twist 
Dates: Thursday, June 4 – Saturday, June 6 at 7:30 pm; Saturday, June 6 at 3 pm 
Ticket Price: $30
Description: At You're Being Ridiculous, real people tell true stories about their lives. Each performance is linked by rotating themes, and by the desire to make you laugh... and, once in a while, cry. Our motto: Good stories are better than good times. We laugh at ourselves and laugh with each other. Everyone has a story to tell. What's yours? 

Softie 
by Tim Felton
Dates: Friday, June 12 & Saturday, June 13 at 7:30 pm
Ticket Price: $20
Description: Sometimes a dad is also a daddy. And sometimes that daddy is also a Softie. Chicago-based comedian, Tim Felton (picture the lovechild of Mr. Rogers Pee-wee Herman and Buster Bluth), invites you along in his journey as he figures out how to connect with people as he gets older... and softer.  

Jillian Ebanks: 
Who All Gone Be There? 
Directed by Kiley Fitzgerald 
Dates: Thursday, June 18 at 7:30 pm 
Ticket Price: $23
Description: Life for Jillian in her 30s has been one big, weird party, and all she has wanted to know is Who All Gone Be There? Come join Jillian for this live taping of new material as she explores the guest list of her life through comedy. 

Funny Slut 
A solo show by Deanna Ortiz
Dates: Saturday, June 20 & Sunday, June 21 at 7:30 pm
Ticket Price: $25
Description: Deanna Ortiz used to think her job was just posting thirst traps for porn stars. Turns out, it was also therapy... with a 401(k). In Funny Slut, Deanna tells the hilarious and unexpectedly heartfelt story of working in social media for the adult entertainment industry where she learned to embrace chaos, confidence and her inner hot girl. 

Mocrep Presents: 
I Live Every Day
Dates: Thursday, June 25 – Saturday, June 27 at 7:30 pm
Ticket Price: $13 – $53
Description: The "mostly performance, arguably music" Chicago-based collective Mocrep returns to the LookOut Series. I Live Every Day is a noisy yet mellifluous riff on twang, repetition, feedback and kitchen appliances simultaneously inspired by the myth of Narcissus and the music of Tammy Wynette. 

Women Off-Colour 
Featuring Anelga Hajjar, Alondra Rios and Mantra
Dates: Wednesday, July 1 – Friday, July 3 at 7:30 pm
Ticket Price: $23
Description: Ethnicities we've dated, ethnicities who've wronged us, dads (alive and not), older sister trauma, ethnic moms, cycles we want to break and growing up with curves. These are some of the topics Mantra, Alondra and Anelga muse on in Women Off-Colour. Featuring musical numbers, sketches and monologues, this show invites women to be offensive, wrong and unapologetic.  

Erik and Jessie and Everyone You Know: 
Past and Future
Dates: Monday, July 6 & Tuesday, July 7 at 7:30 pm
Ticket Price: $43
Description: Ten years ago, Erik Hellman and Jessie Fischer brought everyone they knew to celebrate the opening of the 1700 Theater. Now EVERYONE will return for two nights, TWO DIFFERENT SHOWS! Monday: we visit the PAST. Tuesday: we visit the FUTURE. Join us for either or both. 

Derek Begrudgingly Presents: 
The Lizzie McGuire Movie: The Play
Dates: Friday, July 10 & Saturday, July 11 at 7:30 pm; Saturday, July 11 at 3 pm
Ticket Price: $28 
Description: After two sold out runs at Color Club and winning runner up in Chicago Reader's Best New Play category, The Lizzie McGuire Movie: The Play is back to show you what dreams are really made of. Through dance, drag, a live band, over-the-top acting and giant DIY cardboard props, this parody production reimagines Lizzie McGuire's iconic trip to Rome in a way Disney would never allow and finally answers the question, "what the hell happened to Miranda??" 

Nervous Breakdown in G Minor 
by Lewis Rawlinson 
Dates: Friday, July 17 & Saturday, July 18 at 7:30 pm; Sunday, July 19 at 3 pm 
Ticket Price: $30
Description: How do you pursue an art form you love when you no longer feel you belong? In this solo show with live music, Lewis Rawlinson traces his journey through queerness, addiction and mental health. Nervous Breakdown in G Minor is a lyrical autobiography about growing up Mormon in Montana, training as a classical cellist and confronting the realities of pursuing a life in music.  

Dream Devis: The Death and Life Of 
Created by Abhijeet & Leha Salam
Dates: Thursday, July 23 – Saturday, July 25 at 7:30 pm; Sunday, July 26 at 3 pm 
Ticket Price: $33
Description: Dream Devis, Chicago's trans femme South Asian collective, return to Steppenwolf after their sold-out eponymous show last year. Join our Devis for an existentialist romp through time, history, mythology and pop culture through song, dance and comedy. 

The Real Time – Live! 
With Briana Bower, Ian Paul Custer, Kelan M Smith, Jack Morsovillo & Lior Shragg
Dates: Thursday, July 30 at 7:30 pm
Ticket Price: $23
Description: The Real Time is a Chicago-based female-fronted five-piece band specializing in unique original music. Their music blends multiple eras and genres resulting in their pop-rock-funk sound. They'll be sure to get you movin' and groovin' with their upbeat jams and four-part harmonies. Come rock out with them! 

Michiganderish 
Written and performed by Julie Ganey
Music by Mike Przygoda, Directed by Ann Filmer 
Dates: Saturday, August 1 at 7:30 pm; Sunday, August 2 at 3 pm 
Ticket Price: $15 – $50
Description: Julie Ganey finds a little place for her family to get away from it all in the Great Lakes State and discovers it's not that simple. Cue chainsaws, chipmunks, menacing deer and eco-heroes! Michiganderish is a solo show about apocalyptic nature, reaping what we sow and an examination of what it means to truly belong to a place. 

The Not That Late Show
Dates: Thursday, August 6 at 7:30 pm
Ticket Price: $23
Description: Blending news-driven comedy with late-night-style interviews, The Not That Late Show is a Chicago-based variety show that aims to create space for people to live, laugh, learn... and leave at a reasonable hour. A show for Chicago, by Chicago. 

Chris Vallillo Presents:
Forgottonia
Dates: Saturday, August 8 at 7:30 pm; Sunday, August 9 at 3 pm
Ticket Price: $25
Description: Forgottonia is a musical journey through the evolution of the people and places in rural Midwestern America as seen through the eyes of songwriter Chris Vallillo. Vallillo combines storytelling and live music with the images of award-winning rural photographer Tim Schroll to create an audio-visual love letter to the region's past, present and future. 

Dionna Griffin-Irons:
This is My Moment 
Directed by Anthony Irons with music by Alexander Burke
Dates: Thursday, August 13 – Saturday, August 15 at 7:30 pm
Ticket Price: $38
Description: Blending "theatricalized" essays, satirical songs and poetic prose, This is My Moment features the real life story of a woman who has experienced the best life has to offer – a kingpin lover from the past, a jail adventure that tests her faith and a comedy career that teaches the gift of saying "Yes." 

Carl Chadek: You're Not Right for That!
Dates: Wednesday, August 19 at 7:30 pm
Ticket Price: $38
Description: Carl Chadek: You're Not Right for That! is an old-school style cabaret with music from Broadway, the great American songbook, classic pop and just maybe a little comedy. Think dinner jackets, evening gowns and martinis. Nobody is right for everything, and auditioning can be, well, interesting.  

Claire Lochmueller:
CRACKS
A one-trans-woman dark comedy memoir 
Dates: Friday, August 21 & Saturday, August 22 at 7:30 pm
Ticket Price: $15 – $30
Description: Through a hybrid of storytelling, stand-up comedy and theatre, this one-trans-woman dark comedy memoir by Claire Lochmueller details a journey from a childhood in the Catholic Church/JROTC military school to a career as a multi-award-winning trans theatre-maker. CRACKS navigates topics of gender identity, substance abuse and finding joy in a story about how two lives, through laughter and tears, became one trans identity. 

Bambi Banks Presents: 
Clue University: A Drag Parody
By Neutral Gena 
Dates: Thursday, August 27 – Sunday, September 6; Thursdays, Fridays & Saturdays at 7:30 pm, Sundays at 3 pm
Ticket Price: $33
Description: Bambi Banks returns to the LookOut Series with Clue University, a slasher parody play that combines all the fun and whimsy of the game of Clue with the complicated world of a collegiate rush week. In this thrilling murder mystery, six Sorority Sisters must unmask a killer living amongst them, testing their bonds of sisterhood and bringing to light the question: is blood thicker than power? 

Accessibility:

Steppenwolf's 1700 Theater is equipped with an induction hearing loop and assistive listening devices (ALDs) are available upon request. Our building features wheelchair-accessible seating and restrooms, push-button entrances, a courtesy wheelchair, and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information: 

The LookOut Series is supported in part by the Walder Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Bloomberg Philanthropies, Crown Family Philanthropies, Caroline and Keating Crown, Julius Frankel Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Rich and Margery Feitler, FROST CHICAGO, John D. and Catherine T. MacArthur Foundation, The Orlebeke Foundation, Polk Bros. Foundation, Sacks Family Foundation, Harold and Mimi Steinberg Charitable Trust, Thoma Bravo, and Bryan Traubert and Penny Pritzker. Steppenwolf also acknowledges support from the Illinois Arts Council and the City of Chicago Department of Cultural Affairs and Special Events. uncil and the Department of Cultural Affairs and Special Events. 

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 50 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theatre and Chicago's cultural landscape. Founded in 1975 by Terry Kinney, Jeff Perry and Gary Sinise, Steppenwolf started as a group of young people in their teens and early 20s performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director E. Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Concluding BrightSide's 14^th season will be THE PRODUCERS, the longest running Broadway musical comedy ever and the winner of 12 Tony Awards – the most ever by a single production. Mel Brooks's musical was adapted from his 1967 film of the same name that starred Zero Mostel and Gene Wilder. Like the film, the musical follows the hapless producers Max Bialystock and Leo Bloom as they attempt to make money by staging the biggest flop in history—only for their ridiculous musical, "Springtime for Hitler," to become a surprise hit. THE PRODUCERS ran on Broadway for six years, keeping audiences in stitches with its combination of visual and verbal humor, inventive and hilarious production numbers, and catchy songs. BrightSide Artistic Director Jeffrey Cass will direct, with Mary Grace Martens providing the choreography and Phil Videckis serving as Music Director. THE PRODUCERS will play from June 12-28, 2026, in The Theater at Meiley-Swallow Hall on the campus of North Central College in Naperville. 
 
Leading the cast are Scott Kelley of Schaumburg as Max Bialystock and Michael Metcalf as Leo Bloom. Kelley has been seen at BrightSide in such roles as Sidney in DEATHTRAP, The Narrator in last fall's THE ROCKY HORROR SHOW, and Nick Bottom in A MIDSUMMER NIGHT'S DREAM. Metcalf first appeared with BrightSide in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT in 2018 and most recently was Freddie in BrightSide's CHESS IN CONCERT. Metcalf has played such leading roles around Chicago as Oliver Warbucks in ANNIE, Lord Farquaad in SHREK with Music Theater Works, and Frankie Valli in JERSEY BOYS at Mercury Theatre, for which he earned a Jeff nomination. Roger DeBris, the flamboyant director hired to stage "Springtime for Hitler," will be played by veteran actor John B. Boss of Chicago, who has been cast in that role in five previous productions, including the national tour. DeBris's assistant, Carmen Ghia, will be Michael John Lynch (also of Chicago), seen at BrightSide this season as Brad in THE ROCKY HORROR SHOW and as Jean-Claude in PHANTOM. Myles Mattsey of New Lenox, seen in BrightSide's PHANTOM this past January and last summer as Coronel Ricci in Blank Theatre Company's PASSION, will play the eccentric "Springtime for Hitler" playwright Franz Liebkind. Amelia Tam of Evanston, seen in BrightSide's THE ROCKY HORROR SHOW earlier this season, will be Bialystock and Bloom's secretary Ulla Jacobson.
 
Also in the cast are Julie Abner Donahue (of Geneva), Jax Downs-Martinez (of Oswego), Justin Dudzik (of Joliet), Chris Frewen-Peña (of Bolingbrook), Erica Harrington (of Westchester), Sydnee Howes (of Chicago), Peter Kattner III (of Chicago), Athena Kopolos, Charlie Kungl (of Elmhurst), Lauren Mathews (of Chicago), Cheryl Newman (of Naperville), and John Salomone (of Shorewood). The design team includes Ariel Mozes (Scenic Design), Cheryl Newman (Costume Design), Kurt Ottinger (Lighting Design), Delaney Kosar (Props Design). Bill Delmonico is Technical Director.

THE PRODUCERS will be performed in The Theater at Meiley-Swallow Hall, North Central College, 31 S. Ellsworth, Naperville. Tickets are $37.00 for adults and $32.00 for students and seniors and are on sale now at www.BrightSidetheatre.com or by phone at 630-447-TIXS (8497). The Saturday, June 13 2 pm performance will be ASL interpreted, thanks to the generous support of Naperville Lions Club. Special seating for this performance may be reserved with the code ASL.

THE PRODUCERS
Book by Mel Brooks and Thomas Meehan
Music & Lyrics by Mel Brooks
Directed by Jeffrey Cass
Choreography by Mary Grace Martens
Music Direction by Phil Videckis
June 12-28, 2026
Fridays and Saturdays at 7:30 pm and Saturdays and Sundays at 2 pm
No performance Friday, June 19. Additional performance Thursday, June 18.

The Theater at Meiley-Swallow Hall
North Central College, 31 S. Ellsworth in Naperville
Tickets $32 - $37, available at www.BrightSideTheatre.com or at 630-447-TIXS (8497) 

The Saturday, June 13 2 pm performance will be ASL interpreted, thanks to the generous support of Naperville Lions Club. Special seating for this performance may be reserved with the code ASL

Get ready to laugh until it hurts with THE PRODUCERS, Mel Brooks' outrageous musical comedy about two schemers trying to stage the biggest Broadway flop of all time—only to accidentally create a smash hit! With show-stopping numbers, over-the-top characters, and non-stop laughs, this Tony Award-winning favorite is a riotous celebration of theatre itself. This side-splitting comedy will leave you roaring with laughter and applauding for more! 

The Joffrey Ballet concludes its 2025-26 season with the highly anticipated Chicago Premiere of Yuri Possokhov’s Eugene Onegin, a richly layered and deeply human exploration of love, loss, and redemption inspired by Alexander Pushkin’s poetic novel. From the acclaimed creative team behind Anna Karenina, Eugene Onegin—a co-production with San Francisco Ballet—features an original score by the award-winning composer, performer, and conductor Ilya Demutsky and an immersive set design that plunges audiences into the fragility of the human heart. Eugene Onegin takes place for ten performances only at the historic Lyric Opera House, 20 North Upper Wacker Drive in downtown Chicago, from June 4 to 14, 2026.

“Our longstanding creative partnership with Yuri Possokhov has reached a new height with Eugene Onegin, supported by an extraordinarily hands-on collaboration with San Francisco Ballet that elevated every element of the production. The precision of detail and emotional storytelling come together to create a fully immersive experience - one that speaks with striking clarity to the world we live in today, and reflects the very best of The Joffrey’s artistic ambition,” says The Mary B. Galvin Artistic Director Ashley Wheater MBE.

“As we close our 70^th anniversary season, Eugene Onegin is both a celebration and a statement of what shared ambition can achieve. At every level, our ability to move audiences depends on the strength of the relationships behind the work, and we are particularly grateful to our partners at San Francisco Ballet for taking the leap with us. Mounting a production of this scale signals the new heights The Joffrey continues to reach, and the stability of the organization as we lay the foundation for our next 70 years,” said Greg Cameron, President and CEO.

Set against the backdrop of 19^th-century Russian aristocracy, the cautionary tale centers on Eugene Onegin, an enigmatic and aloof aristocrat whose life is forever altered after his fateful encounter with the earnest Tatiana. The events that follow – a tragic duel, a devastating loss, and a chance reunion force Eugene Onegin to confront the weight of his choices. Considered a classic work of literature, Eugene Onegin and its protagonist have served as models for literary heroes across time with a worldly and personal narrative style.

A frequent guest choreographer of The Joffrey Ballet, Possokhov returns to the Lyric Opera stage following 2019’s incredibly favored full-length commission of Anna Karenina, a co-production of the Joffrey and the Australian Ballet. Eugene Onegin reunites the award-winning team behind Anna Karenina, including Possokhov and Demutsky; plus, librettist Valeriy Pecheykin, set designer Tom Pye, costume designer Tim Yip (an Oscar-winner in Art Direction for “Crouching Tiger, Hidden Dragon”), lighting designer Jim French, and projection designer Finn Ross.

Eugene Onegin marks the first full-length co-production between The Joffrey Ballet and San Francisco Ballet and received its World Premiere in San Francisco in January 2026.

The Joffrey Ballet is grateful to Eugene Onegin Presenting Sponsors Lorna Ferguson and Terry Clark, Anne L. Kaplan, Lynda Sue Lane, M.D., Rudolf Nureyev Fund at The Joffrey Ballet, and Mr. and Mrs. Joel V. Williamson; Major Sponsors Mary Jo and Doug Basler, Dancing Skies Foundation, Ethel Gofen, Audrey L. Weaver, and Alexandra C. Nichols; Production Sponsors Holly Palmer Foundation, Gary Metzner and Scott Johnson, and Bill and Orli Staley Foundation; Costume Sponsor Jane Ellen Murray Foundation; and Commissioned Score Sponsors The Marina and Arnold Tatar Fund for Live Music and Marion A. Cameron-Gray and J. Douglas Gray.

Eugene Onegin features live music performed by the Lyric Opera Orchestra, conducted by Scott Speck, Music Director of The Joffrey Ballet.

Tickets and Schedule

The Joffrey Ballet presents Eugene Onegin from Thursday, June 4 to Sunday, June 14, 2026.

The full performance schedule is as follows:

Thursday, June 4 at 7:30PM;
Friday, June 5 at 7:30PM;
Saturday, June 6 at 2:00PM and 7:30PM;
Sunday, June 7 at 2:00PM;
Thursday, June 11 at 7:30PM;
Friday, June 12 at 7:30PM;
Saturday, June 13 at 2:00PM and 7:30PM;
and Sunday, June 14 at 2:00PM.

The Joffrey Ballet is the only official seller with the best prices. Be aware of ticket re-sellers offering overpriced or invalid tickets. Tickets are available for purchase at the Lyric Opera Box Office, located at 20 N. Upper Wacker Dr., by telephone at 312.386.8905, or online at joffrey.org.

About The Joffrey Ballet 
The Joffrey Ballet is one of the premier dance companies in the world today, with a reputation for boundary-breaking performances for 70 years. The Joffrey repertoire is an extensive collection of all-time classics, modern masterpieces, and original works. Founded in 1956 by pioneers Robert Joffrey and Gerald Arpino, the Joffrey remains dedicated to artistic expression, innovation, and first-rate education and engagement programming. The Joffrey Ballet continues to thrive under The Mary B. Galvin Artistic Director Ashley Wheater MBE and President and CEO Greg Cameron.

The Joffrey Ballet is grateful for the support of its 2025–2026 70^th Anniversary Season Sponsors: The Abbott Fund, Alphawood Foundation Chicago, Daniel and Pamella DeVos Foundation, Gallagher, The Florian Fund, Anne L. Kaplan, and Robert and Penelope Steiner Family Foundation. Live Music Sponsors Sandy and Roger Deromedi, Sage Foundation, and The Marina and Arnold Tatar Fund for Live Music. The Joffrey also acknowledges our Season Partners: ATHLETICO and Chicago Athletic Clubs.

For more information on The Joffrey Ballet and its programs, visit joffrey.org. Connect with the Joffrey on Facebook, Instagram, and LinkedIn.

For its 13^th free summer production, Midsommer Flight will present one of Shakespeare's most highly regarded and popular comedies. AS YOU LIKE IT, known for its witty dialogue, pastoral setting, and the strong female lead Rosalind, is one of Shakespeare's 10 most frequently produced plays. It takes some of Shakespeare's frequent tropes - intra-family conflicts, gender disguises, and lovers who must overcome obstacles in order to be together – and creates a lighthearted, romantic comedy that has been praised for its sophisticated banter. True to the comedy's famous line – "All the World's a Stage" – Midsommer Flight will again be creating natural stages in six Chicago parks over six summer weekends. The company will crisscross the city, with performances on the near south side (Chicago Women's Park and Gardens), farther south at Nichols Park in the Hyde Park neighborhood, the west side (Kelvyn Park), and the north side (Gross (Theodore) Park in Lincoln Square, Winnemac Park in Ravenswood, and Touhy Park in Rogers Park). Opening night is Friday, June 26 at 6 pm at Chicago Women's Park and Gardens, 1801 South Indiana Avenue in the South Loop (Near South Side).
 
Founding Artistic Director Beth Wolf (she/her/hers), named one of NEW CITY STAGE's 2026 "50 Players Who Really Perform for Chicago," announced her cast of 12 principals and six understudies today. Appearing as Rosalind, who like her father Duke Senior is banished from court by her uncle Duke Frederick, is Stephanie Mattos* (she/her). Barry Irving* (he/him) will play both Duke Frederick and Duke Senior. Orlando, who is attracted to Rosalind and flees to the Forest of Arden to escape a death threat from his brother, will be played by Thomas Russell (he/they). Orlando's brother, Oliver, will be played by Ian Voltaire Deanes (he/him). Ebby Offord* (she/they) will appear as Rosalind's loyal cousin Celia, who travels to the forest with Rosalind. Accompanying Rosalind and Celia to the forest is Touchstone, the Court Jester, to be played by Chase Wheaton-Werle. Jack Morsovillo* (he/him) will be Jaques, a melancholy and dramatic lord who camps with Duke Senior in the forest.
 
In the forest, the exiles meet the shepherds Silvius (Brandon Beach*, he/him) and Audrey (Jennifer Mohr, she/her). Silvius has unrequited love for the shepherdess Phebe (Triniti Cruz, she/her), who falls in love with Rosalind while Rosalind is disguised as a man. Meanwhile, Audrey is charmed by Touchstone.
 
Also in the principal cast are Connor O. Locklin (he/him) in multiple roles (Charles / First Lord in forest / MarText / Second Brother), and Riley Samuel Merritt (he/him) as Amiens and First Lord at court. The understudies are Alexander P. Garza (he/him, u/s Duke Frederick and Duke Senior), Jerome Michael Jones (he/him, u/s Orlando, Oliver), MJ Handsome (she/they, u/s Rosalind, Celia), Robert Wood Frank (he/him, u/s Silvius, Touchstone), Matt Keeley (he/him/his, u/s Charles / First Lord in forest / MarText / Second Brother, Jaques, Amiens), and Siyi Wang (she/her/hers, u/s Audrey, Phebe).

The AS YOU LIKE IT production team will include Rachel Sypniewski (she/her/hers, Costume Designer), Jeremiah Barr (he/him/his, Scenic/Props Designer), Jack Morsovillo* (he/him/his, Music Director), Will Wilhelm (they/them/theirs, Text Coach), Bryson David Hoff (he/him/his, Vocal Coach), Courtney Abbott (they/them/theirs, Intimacy Director), Thomas Russell (he/they, Fight Director), Becca Holloway (she/her/hers, Casting Director), Hailey Piorek (she/her/hers, Stage Manager), Chloe Steuber (she/her/hers, Assistant Stage Manager), and Joshua Pennington* (he/they, Assistant Director).

*Indicates Midsommer Flight Artistic Ensemble member
 
Midsommer Flight's productions are performed in natural sunlight and without amplified sound, much as they were done in the Bard's day. Midsommer Flight has become one of Chicago's best-loved and most highly regarded producers of free summer Shakespeare. THIRD COAST REVIEW's Nancy Bishop, in her 3-1/2-star review of 2024's ROMEO AND JULIET summed it up by writing, "Is there anything as lovely as theater in the park on a warm summer evening?" Tristan Bruns of NEW CITY said in his review of 2025's LOVE'S LABOUR'S LOST, " ...the sun had died down and a light breeze cut the humidity. Monarch butterflies tumbled through the air and rested on laps. Midsommer's ebullient take on Shakespeare matched the surroundings perfectly...This is the Shakespeare I want to see on a cool summer evening, sitting in a folding chair and sipping a LaCroix beside a butterfly companion."
 
LISTING INFORMATION

AS YOU LIKE IT
By William Shakespeare
Directed by Producing Artistic Director Beth Wolf
June 26 - August 2, 2026
Fridays, Saturdays*, and Sundays at 6 pm, Thursday, July 2 at 6 pm
*No performance Saturday, July 4
Admission is free (donations gladly accepted)
Opening night – Friday, June 26, 6 pm in Chicago Women's Park and Garden, 1801 S. Indiana Ave, 60614
 
Performed in six different Chicago Park District parks

• June 26, 27, 28 at Chicago Women's Park and Garden, 1801 S. Indiana Avenue, 60616
• July 2, 3, 5 at Gross (Theodore) Park, 2708 W Lawrence Avenue, 60625
• July 10, 11, 12 at Nichols Park, 1355 E 53rd Street, 60615
• July 17, 18, 19 at Kelvyn Park, 4438 W Wrightwood, 60639
• July 24, 25, 26 at Winnemac Park, 5100 N Leavitt, 60625
• July 31, August 1, 2 at Touhy Park, 7348 N Paulina Avenue, 60626

AS YOU LIKE IT is a vibrant Shakespearean comedy that wittily explores love and gender roles. Banished from court by her uncle, Rosalind escapes to the Forest of Arden, where she disguises herself as man in order to win over her lover by trying to convince him he should forget her. The play examines various types of love—from passionate to superficial to mature—offering a nuanced look at romantic relationships and human connection and playfully exploring the fluidity of gender roles. Audiences are encouraged to come early and bring a picnic to enjoy this free programming. Seating is first-come, first-served, and audience members can bring their own blankets or chairs. 

Free Reservations are encouraged but not required. Those with reservations will be contacted in the event of weather cancellations or other last-minute updates. Reservations will be available through the Midsommer Flight website at www.midsommerflight.com beginning on June 1. Show information on website at www.midsommerflight.com, including detailed schedule and info about directions and parking at each park.
 
ABOUT MIDSOMMER FLIGHT. Midsommer Flight is a theatre company dedicated to presenting high quality, accessible productions of Shakespeare's plays in Chicago communities. After the company's well-received inaugural production of A MIDSUMMER NIGHT'S DREAM in 2012, the Chicago City Council honored Midsommer Flight with a resolution praising "the Midsommer Flight theater troupe on their dedication to bringing the arts to underserved communities."  The company incorporated as a not-for-profit in the state of Illinois in early 2013 and has produced ROMEO AND JULIET (2013, 2024), MUCH ADO ABOUT NOTHING (2014), MACBETH (2015), TWELFTH NIGHT (2015, 2016, 2017, 2018, 2019, 2021, 2022) AS YOU LIKE IT (2016), HAMLET (2017), THE TWO GENTLEMEN OF VERONA (2018), THE TEMPEST (2019), A MIDSUMMER NIGHT'S DREAM (2012 AND 2022), CYMBELINE (2023), and LOVE'S LABOUR'S LOST (2025). The company was nominated in 2019 for the third time for the League of Chicago Theatres "Emerging Theatre Award."
 
Midsommer Flight is committed to presenting financially accessible theatre. Productions are 100% free to the public (donations gratefully accepted). Audiences are encouraged to come early and bring a picnic to enjoy this free programming. For more information visit www.midsommerflight.com. 
 
ABOUT NIGHT OUT IN THE PARKS
 
AS YOU LIKE IT is presented as part of the Chicago Park District's Night Out in the Parks series, supported by the Mayor's Office and the Chicago Department of Cultural Affairs and Special Events. The Night Out in the Parks program presents cultural events year-round in neighborhood parks throughout the city. The Chicago Park District in partnership with local artists and organizations, presents engaging events and performances that enhance quality of life across Chicago and amplify the artistic and cultural vibrancy in every neighborhood. Through multiple disciplines, which include theater, music, movies, dance, site-specific work, nature programs, and community festivals, the series aims to support Chicago-based artists, facilitate community-based partnerships and programs, cultivate civic engagement, and ensure equity in access to the arts for all Chicagoans. For more information, please visit www.nightoutintheparks.com.

Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May 29 - June 28, at Facility Theatre, 1138 N. California Ave. The opening night is Friday, May 29 at 8 p.m. The performance takes place Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. The running time is currently 90 minutes with no intermission. Tickets are priced on a “pay what you can” scale, with a suggested price of $25. For more information about Talking About Godard visit CuriousTheatreBranch.com.

In Talking About Godard, three restless artists live awkwardly together. Helen chain smokes, has sex with whomever and talks straight. Mary Barnes is obsessed with the films of Jean Luc Godard and is determined to make her own Godard film in Super 8. A neighborhood thug named Leon helps Chrissy by stealing suitcases from O’Hare and adds to the spoils of the household. Then a French caller comes looking for love. The play examines female friendship and cohabitation in the 90s, the artistic process and how groups do and don’t satisfy our needs.  

Talking About Godard was originally produced by The Curious Theatre Branch in 1996 and its cast included Jenny Magnus (Helen), Vicki Walden (Mary Barnes) and Paul Leisen (Leon), who repeat their original roles in this revival. New cast members include Kristin Garrison (Chrissy) and Jayita Bhattacharya (Leon). Directed with Briavael O'Reilly, and using a production committee of Paul Brennan and Jeffrey Bivens on video and images, Julia Williams on tickets and set design, David Isaacson on script for the video, Andy Soma on art consultation, Vesna Grbovic and Graciella Garcia on production assistance and Beau O’Reilly on outside eye.  

ABOUT BEAU O’REILLY, PLAYWRIGHT and DIRECTOR

Beau O’Reilly is a founding member and co-artistic director of the Curious Theatre Branch and the bands Maestro Subgum and the Whole and The Crooked Mouth, as well as a curator of the Rhinoceros Theater Festival for 30 years. His work has appeared at the Museum of Contemporary Art Chicago, the Poetry Foundation and on “This American Life.” The author of more than 80 original plays, O’Reilly is also a working actor who teaches playwriting at the School of the Art Institute of Chicago. His latest solo album, “Thrifty,” was released on Uvulittle Records in 2021.

ABOUT BRIAVAEL O'REILLY, DIRECTOR

Briavael O'Reilly has been a theater kid her whole life, at least since her dad got her into shows at the Woodstock Opera House as an elementary schooler. She was a member of Theater @ First and PMRP in Boston in the late aughts. In Chicago, she's been in the booth for Rhinofests, BeauTowns, This is Not a Churchill; Evanston, Which is Over There; To End to Seem to End and many a Crooked Mouth show. Onstage appearances include Rung, March!, The Skriker and Hit Me Like a Flower. This marks O’Reilly’s directorial debut.

ABOUT CURIOUS THEATRE BRANCH

Curious has been holding up their end of the Chicago theater scene since 1988, creating new works of the imagination, works focused on language and creatively expressing the difficulties of being human. Curious Theatre Branch is dedicated to the creation of new plays and performances and to the production of its annualRhinoceros Theater Festival. Curious aims to promote innovative works of the imagination in the performing arts from a broad and inclusive spectrum of artists and are also devoted to mentoring programs that engage emerging artists as a way to enrich and expand our artistic community. Curious is committed to creating and producing new plays and performances in a collaborative manner, encouraging our members as artists to share decision making and responsibilities, while expanding their skills as writers, actors, designers, directors and arts administrators. Curious also is committed to the idea that a pay what you can pricing policy is sustainable and will suffice over the long term as an economic model.

Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May 29 - June 28, at Facility Theatre, 1138 N. California Ave. The opening night is Friday, May 29 at 8 p.m. The performance takes place Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. The running time is currently 90 minutes with no intermission. Tickets are priced on a “pay what you can” scale, with a suggested price of $25. For more information about Talking About Godard visit CuriousTheatreBranch.com.