Home

Displaying items by tag: Grant Kilian

Try to remember a time before the Internet, before dating sites, before personal ads and instant cameras and you will eventually discover the age-old path of finding love and dating for men and women called "Lonely Hearts Clubs". 

 

In Marriott Theatre’s “She Loves Me", a musical with a book by Joe Masteroff, lyrics by Sheldon Harnick, and music by Jerry Bock, two co-workers at the quaint Maraczek’s Parfumerie shop have unwittingly fallen in love with each other by the “Dear Friend” letters they have sent and received through their lonely hearts club connection. Though Georg and Amalia have not seen even a single photo of the other they each are certain by the written words of the other that they are truly in love and are ready to finally meet. 

 

Alex Goodrich’s Georg, the male half of this love match starts out as a bit of a jerk. Goodrich, who puts forth a very strong performance, makes Georg very sympathetic, albeit a bit of a boor though he is likable to his co-workers. He is earnestly content with his fifteen-year-plus job at the store. Although he has lots of girls who are real friends, it turns out Georg is completely insecure and out of touch with his feelings towards the opposite sex when it comes to romance. 

 

When Elizabeth Telford enters the store as Amalia (who is both seeking employment and unsuspectingly the other half of the lonely hearts club love letters), Georg is utterly irritated by her natural instinct for sales. Georg treats her with disdain even though she is cute and eminently qualified for the job she gets from the boss after selling a new product, a musical cigarette box, in record time. 

 

Both Goodrich and Telford endear you to their stubborn characters over the course of the show. As delivery boy, Arpad, played with youthful cheer, by Grant Kilian says to another clerk at the store with wonder, "Do they like each other?” The other clerk says, " Yes, they like each other very much," to which Arpad says, "Well shouldn't someone tell them?"  

 

Elizabeth Telford really knocks it put of the park emotionally and vocally with the number “Will He Like Me?", as she muses about all the different qualities he may or may not find attractive about her once they finally meet. Also, her genuinely joyous and girlish rendition of "Vanilla Ice Cream" lifts the audience to believe in true love again as Georg, who has already stood her up once, breaking her heart so badly that she cannot return to work that day, delivers a pint of Amalias' favorite vanilla ice cream. The thoughtful gesture makes her happy at his consideration in a way that begins to dimly realize what might be real love despite his earlier disdainful and brutish treatment of her feelings at work.  

 

Yes, it's like a period piece version of " You've Got Mail" that plays with a very modern feel as couples STILL face these challenges trying to find their mate today despite the Internet dating revolution. 

 

(Above) Jessica Naimy as "Ilona" and Jame Earl Jones II as "Sipos"

Jessica Naimy as Ilona steals the show with two of her numbers as the sexy, single gal at the Parfumerie who lets her desire for Mr. Right get in the way of finding her Mr. Right. In “I Resolve”, Naimy sings with genuine force and power that she resolves to let go of her destructive purely sexual relationship with the lothario of the drugstore and rather stand up for the truly lovable and deserving-of-respect woman she really is. In the number “Trip to the Library", Ilona seems to unconsciously know that a trip to a place of higher learning for the evening instead of to the local drinking hole will eventually lead to her meeting a man of substance and intelligence who loves her the way she was meant to be loved. 

 

James Earl Jones II as Sipos, the clerk with a family who will kiss anyone's butt to save his boring but dependable job, delivers a very funny, dry performance and his singing voice is both comical and deeply resounding. Great job!  And David Schlumpf as Steven Kodaly, the womanizing and insensitive clerk who'll sleep with anyone, really makes you want to slap him in the face, but his number “Grand Knowing You" shows the audience his sexist honesty is what finally pushes Ilona over the brink to find her own self-respect again, even if it means being alone for a while. 

 

Shop owner Mr. Maraczek is also well played by Terry Hamilton, as he is able to finely capture both the character’s storminess as that of a demanding boss and the good heartedness that hides beneath his exterior. 

 

The slicked back hair and black tails of The Headwaiter who serves Georg and Amalia at their very first meeting at a "romantic hideaway" is hysterically portrayed by Steven Strafford who has great physical comedy skills with his spot on facial expressions and timing. 

 

Directed and choreographed by Artistic Director Aaron Thielen, “She Loves Me” is a cute love story that features many charming characters and fun numbers including the adorable “Thank You, Madam” a goodbye the store employees sing together whenever a customer leaves the shop.

 

Thank you, madam. 

Please call again. 

Do call again, 

Madam

 

I highly recommend this heartwarming, fresh and fun production which is brought to life by Jeffrey D. Kmiec’s sets, Jesse Klug’s soft and lovely period lighting and especially Sally Dolembo’s really delicious, color-rich costumes for both the leads and the wonderful ensemble of players who portray shoppers in the store. Altogether with this superb cast, "She Loves Me" brings the art of lovemaking in this long past period to life in a delightful modern way. 

 

“She Loves Me” is being performed at Marriott Theatre in Lincolnshire through June 18th. For tickets and show information click here. 

 

Published in Theatre in Review

Operation Mincemeat: A Smart, Scrappy Musical That Shines When Its Cast Takes the Wheel

01 October 2026 in Theatre in Review

In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…

Backyard Theatre Company’s Red Bike - Berger Park Coach House Theatre - Through October 24th

30 September 2026 in Now Playing

Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…

SANCTUARY STORIES - A JOURNALISM THEATER PROJECT October 9-18 at the Athenaeum Center for Thought and Culture

30 September 2026 in Upcoming Theatre

Through music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…

Red Theater presents the world premiere of CHURCH HURT October 24 - November 21, 2026

30 September 2026 in Upcoming Theatre

Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…

Ballets Jazz Montréal Makes Chicago debut at THE AUDITORIUM Saturday, November 7th

30 September 2026 in Upcoming Dance

The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…

A Red Orchid Theatre Opens 34th Season with Chicago Premiere of HEROES OF THE FOURTH TURNING October 29 – December 6, 2026

29 September 2026 in Upcoming Theatre

A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…

Lookingglass announces new leadership team

29 September 2026 in Theatre Buzz

Lookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…

Steppenwolf’s Topdog/Underdog: When History Deals the Cards

28 September 2026 in Theatre in Review

Susan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…

MAMMA MIA! and HADESTOWN Return to Chicago in Spring 2027

28 September 2026 in Upcoming Theatre

Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…

'I’m Going to Marry You Tobey Maguire,' Full of Laughs, Ends With a Fizzle

25 September 2026 in Theatre in Review

Here’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…

ALL THINGS EQUAL: THE LIFE AND TRIALS OF RUTH BADER GINSBURG 2027 NATIONAL TOUR - tickets now on sale

25 September 2026 in Upcoming Theatre

Innovation Arts & Entertainment, along with Broadway In Chicago, are thrilled to announce single tickets for ALL THINGS EQUAL: THE…

League of Chicago Theatres announces "It's Theatre Season" and celebrates the industry's impact

24 September 2026 in Theatre Buzz

The League of Chicago Theatres announces the return of It's Theatre Season, a campaign inviting Chicagoans and visitors to discover…

Steppenwolf Theatre Continues 51st Season with World Premiere of ADIRONDACK CHAIR CIRCLE October 22 — December 6

24 September 2026 in Upcoming Theatre

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…

Lookingglass’ Kowalski Ignites a Battle of Wits Between Two Icons

24 September 2026 in Theatre in Review

Lookingglass Theatre’s production of Kowalski offers a gripping, fictionalized glimpse into the first meeting between two theater greats: Tennessee Williams…

Writers Theatre continues its 35th Anniversary Season with explosive, high-stakes boxing drama The Royale October 22 – November 29

23 September 2026 in Theatre in Review

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, continues…

Detroit ’67: A Basement Becomes a City on the Brink

23 September 2026 in Theatre in Review

Detroit was burning in the summer of 1967, inside one basement, life was still  going on. That contrast is at…

Now Boarding: Bonnie’s Last Flight, a Sky‑High Comedy with Real Heart

23 September 2026 in Theatre in Review

Rivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…

Teatro Vista Productions announces season

22 September 2026 in Upcoming Theatre

Teatro Vista Productions, the Midwest's only Latine-led Equity theatre company, led by Executive Director Lorena Diaz and Artistic Director Wendy…

Step Right Up and Ride the Cyclone (The Musical) at Metropolis Arlington Heights

22 September 2026 in Theatre in Review

If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…

Funny ‘Prayer Circle’ Is Loaded With Laughs 

22 September 2026 in Theatre in Review

Erik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…

Steppenwolf Presents GRACEFUL WARRIOR: AN EVENING WITH GARY SINISE - Tuesday, November 24, 2026

22 September 2026 in Upcoming Theatre

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…

Acclaimed Mexodus musical makes Chicago premiere November 7-21 at Studebaker Theater

22 September 2026 in Upcoming Theatre

Studebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…

Arts in the Dark Parade moves to Columbus Drive due to dynamic growth, Oct. 24

21 September 2026 in Theatre Buzz

LUMA8 and the City of Chicago return with the 12th Annual Arts in the Dark Halloween Parade, a family-friendly celebration…

American Blues Theater hosts its annual costumed fundraiser HALLOWEEN BOO BASH October 25th

21 September 2026 in Theatre Buzz

American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…

Definition's How We Got On: A Mixtape for the Stage

21 September 2026 in Theatre in Review

What happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…

Open Space Arts Presents BEFORE WE ARE HISTORY October 23 – November 8

21 September 2026 in Upcoming Theatre

Open Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…

Northlight Delivers a Headline-Making, Hilarious Front Page

20 September 2026 in Theatre in Review

Northlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…

Chicago Shakes' Play On!: With a Syncopated Harlem Beat

20 September 2026 in Theatre in Review

There are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…

Overshadowed's Flame of Fire Finds Humanity, Strength, and Forgiveness in a Tragic Chapter of Missionary History

19 September 2026 in Theatre in Review

Overshadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…

The Attic at Goodman Theatre Redefines Memoir Through Breathtaking Physical Storytelling

19 September 2026 in Theatre in Review

At intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…

 

         20 Years and counting!

Register

     

Latest Articles

Guests Online

We have 2655 guests and no members online

Buzz Chicago on Facebook Buzz Chicago on Twitter 

Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it.. 

*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.