
I look forward to every Hell and a Handbag production - because I know they’re always a great time. The company’s spot-on takes on adored characters, from those in the Golden Girls to Rudolph the Red-Hosed Reindeer, always blend high camp humor with a warm, heartfelt touch.
In Handbag’s latest offering, the world premiere of The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush, we get a brilliant mash up of beloved characters from the Golden Girls and Scooby Doo. Does it work? It absolutely does. This new comedy, penned by the immensely talented David Cerda, and directed and choreographed with flair by Frankie Leo Bennett is one of the team’s best yet.
The adventure kicks off when Rose spots a leafy, brush-covered monster—dubbed the “haunted bush”—lurking around the complex where she, Dorothy, Blanche, and Sophia live. "The haunted bush"... you can already imagine the fun to be had with that one. As the monster sightings increase and the girl’s fear escalates, Rose calls in her nephew, Fred, and his Skooby Don't Gang of crime solvers to investigate. And just like that, these two worlds collide in a side-splitting adventure, which only gets wilder when Nancy Drew joins the team. Yes, the famous girl detective, Nancy Drew! As with any Handbag production, the laughs in this comedy-mystery are as outrageous as they are plentiful. Packed with cartoonish chase scenes, snappy one-liners, well-timed slapstick and a hefty dose of innuendo-driven humor, this new production at Chopin Theatre’s mainstage is a hilariously bold comedy with all the right twists and turns.

Tyler Anthony Smith as Fred in The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush
This cast is packed with all your favorite Handbag stars. The Golden Girls are back! Yay! Ed Jones shines as the naive but loveable Rose Nyland, while Grant Drager is a tour de force as flirty Blanche Devereaux, delivering one witty remark after another. David Cerda reprises his role as Dorothy Zbornak, commanding the stage with every line and Sophia Petrillo is wonderfully portrayed with grit and sass by Ryan Oates. Dorothy’s ex, Stan is riotously played by Scott Sawa, drawing several big laughs while also interacting with the audience throughout the show for Golden Girls trivia, with the winners (everyone who plays) getting to reach in and choose a prize from the mystery bag. I won a Handbag magnet! Woot!
The Skooby gang is also superbly cast, led by Tyler Anthony Smith as Fred. Smith absolutely crushes the role and delivers one funny scene after another from the moment we are greeted by his ass as Rose opens the door to welcome her nephew. Elizabeth Lesinski is delightful as Daffy while Caitlin Jackson is just perfect as Velva, the two heavily crushing on each other throughout the play. The gang is rounded out well with stellar performances from both Ben Meneses as Skooby and Josh Kemper as Skaggy, cracking voice and all. Michael S. Miller is funny in his dual roles as Miles and Rita Claxton and Danne W. Taylor gets some hearty laughs in taking on the role of Nancy Drew, especially in a love scene that no one could have seen coming. But all is possible in the Handbag multi-verse.
Handbag’s talented cast has perfected the art of camp humor, skillfully addressing and laughing at the subjects of sexuality, while also evoking compassion —all within a familiar, friendly, and entertaining environment.
While the cast is exceptional, the creative team also does a tremendous job in putting together a set that brings the audience into the center of the mystery. Marcus Klein (Scenic Design), Liz Cooper (Lighting Design) and Danny Rockett (Sound Design) team up to deliver a visual and audio experience that uniquely pulls in each and every audience member while Sydney Genco (Make-up Design), Keith Ryan (Wig design) and Madeline Felauer (Costume Design) seamlessly bring the characters to life.

(left to right) Caitlin Jackson as Velva and Elizabeth Lesinksi as Daffy in The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush
For those Chicagoans lucky enough to have been watching Handbag productions for the last 22 years, going to one of their shows is like being at a party with a bunch of your best old friends. With this show, it’s a place to sing the Golden Girls theme song, laugh at bawdy jokes, and just let your heart breathe free for a while, even though it seems like chaos and unfriendliness are raging all around the globe.
I highly recommend this final production of Hell in a Handbag’s 22nd season for audiences who want to have a good hard laugh, a nice drink and a solid night of fun, hilarious entertainment.
The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush is being performed at Chopin Theatre through November 3rd. For tickets and/or more show information, click HERE.
Droll, knowing, and surprisingly good, Evil Dead: The Musical, transforms the campy self-aware horror-comedy movie franchise into something wickedly fun.
Even those who haven’t seen the Evil Dead movie series in awhile – or ever – will enjoy this show. It's laced with irony, just like the original, and doubling as a send-up of the scary films genre. It's producers Black Button Eyes Productions specializes in obscure works and plays with elements of fantasy, such as 2014’s Coraline and Nightmares and Nightcaps: The Stories of John Collier – a British author along the lines of Ray Bradbury or Neil Gaiman. Evil Dead has bee crisscrossing small theater groups around the country.
Evil Dead – The Musical parodies Sam Raimi’s classic Evil Dead films – it's an amalgam of Evil Dead I & II – with a nod to Army of Darkness, third in the series. All three starred the square-jawed Bruce Campbell. It’s a prototypical story of teens who vacation at a deserted cabin the woods - only to be dismembered and possessed by evil forces that lie in wait.
In the films and this staged musical, one by one the teens succumb to Kanderean Demons, called from the cellar due to an inadvertent recitation of passages from ancient books written in blood and bound in human flesh, of course. Resisting these forces of evil as the story progresses is Ash (Jordan Dell Harris perfectly captures the swaggering heartthrob played in the films by Bruce Campbell.)
And like the films, Ash transforms into that iconic character we know and love, along the way replacing his left hand with a prosthetic chainsaw, wielding a double-barreled shotgun in his other, battling those Kandereans who inhabit the trees in the woods, the cellar, and even the bodies of his former friends.
All that, and singing and dancing, too – with some infectious tunes by a quartet of writers (Christopher Bond, Frank Cipolla, Melissa Morris and George Reinblatt are credited – and Oliver Townsend gets the credit as musical director.) The book by Reinblatt is funny – he is clearly an Evil Dead Head - though lyrics falter at times. Among the bigger standouts are the opening number as the group of five teens take off on their weekend getaway – and a number with some dancing trees. (Choreography is by Derek Van Barham.) Also charming is a duet by Ash and his girlfriend Linda (Kirby Gibson) about falling in love at S-Mart.
The cabin itself also becomes possessed before the end, and an animatronic moosehead, squirrel and other figures, join the fun. Set, props and puppetry are by Jeremiah Barr.
Aficionados will recall that the original films Evil Dead and Evil Dead 2 didn’t have much in the way of continuity. Evil Dead 2 was a reboot, the first half retelling and modifying the story of the original and the second half breaking new ground. But the movies were grounded in a sense of horror/humor that has not been lost in translation, and distilled into this amalgam the musical version gives us the true heart of the films. (My resident Evil Dead expert Kyran Esler provided exegisis on the show's film origins.)
Along with Jordan Dell Harris as Ash, the cast is strikingly good: Josh Kemper as the ever randy Scott; Kirby Gibson as Ash’s girlfriend Linda (eventually beheaded), Stevie Love in dual roles as Shelly and Annie. For an over-the-top performance Caitlin Jackson gets a shout-out – she is wonderful and it is a performance not to be missed. Recommended. Evil Dead: The Musical runs through February 16 at Pride Arts Center.
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Through music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…
Lookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…
Susan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…
Here’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…
Innovation Arts & Entertainment, along with Broadway In Chicago, are thrilled to announce single tickets for ALL THINGS EQUAL: THE…
The League of Chicago Theatres announces the return of It's Theatre Season, a campaign inviting Chicagoans and visitors to discover…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Lookingglass Theatre’s production of Kowalski offers a gripping, fictionalized glimpse into the first meeting between two theater greats: Tennessee Williams…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, continues…
Detroit was burning in the summer of 1967, inside one basement, life was still going on. That contrast is at…
Rivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…
Teatro Vista Productions, the Midwest's only Latine-led Equity theatre company, led by Executive Director Lorena Diaz and Artistic Director Wendy…
If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Erik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Studebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
LUMA8 and the City of Chicago return with the 12th Annual Arts in the Dark Halloween Parade, a family-friendly celebration…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
What happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
There are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
At intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Coincidentally (or not), Victory Gardens’ new play about a controversial campus speaker opens just days after the one-year anniversary of…
Operation Mincemeat: A Smart, Scrappy Musical That Shines When Its Cast Takes the Wheel
MAMMA MIA! and HADESTOWN Return to Chicago in Spring 2027
SANCTUARY STORIES - A JOURNALISM THEATER PROJECT October 9-18 at the Athenaeum Center for Thought and Culture
Red Theater presents the world premiere of CHURCH HURT October 24 - November 21, 2026
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.