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Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and CEO Vershawn Sanders-Ward's powerful evening-length work Freedom Square: The Black Girlhood Altar at Northwestern University's Wirtz Center in Evanston in October 2026, and a spring concert featuring work by Sanders-Ward alongside Rena Butler, Beatrice Capote and Bebe Miller at The Dance Center of Columbia College Chicago in April 2027.

For more information, concert updates and tickets, visit redclaydance.com/season18. Tickets for performances of Freedom Square: The Black Girlhood Altar, October 1-3, 2026, are now available starting at $42, with discounts for students and seniors.

In its 18th season, Red Clay Dance Company celebrates the theme Spectrum, a reflection of how one bold vision has grown into a vibrant movement. Like light passing through a prism, the Company's founding mission has expanded into a diverse community of artists, students, educators, audiences, partners and supporters—each bringing their own unique brilliance to a shared purpose. Season 18: Spectrum honors the collective power of Artivism and the many voices that shape Red Clay Dance Company's story, celebrating the full spectrum of Artivists whose creativity, resilience and collective action are shaping a more just, vibrant and connected future.

"I am thrilled to welcome audiences to our 18th season, Spectrum. Every season is a milestone worth celebrating, and this one feels especially meaningful because it reflects the extraordinary village that has grown from one vision into a movement fueled by so many voices and spirits," says Red Clay Dance Company's Founding Artistic Director and CEO Vershawn Sanders-Ward. "As we celebrate where we've been and look toward the future through our 1 Million Artivists Strong initiative, I hope this season reminds us all that our unique gifts shine brightest when they come together to create something greater than ourselves."

Season 18: Spectrum kicks off with a performance from Red Clay Dance Company during the free Chicago Live Festival at Navy Pier on Saturday, September 19 at 6:30 p.m.

Fall 2026 concert Freedom Square: The Black Girlhood Altar

In October, the Company stages a reprisal of Vershawn Sanders-Ward's powerful evening-length work Freedom Square: The Black Girlhood Altar at Northwestern University's Wirtz Center (1949 Campus Drive, Evanston, IL) from October 1–October 3, 2026, at 7:30 p.m. daily. A post-show discussion will be held in partnership with the Black Arts Consortium on opening night, October 1, moderated by Northwestern University Professor Thomas F. DeFrantz.

Freedom Square: The Black Girlhood Altar honors the lives, stories and enduring legacy of missing and murdered Black women and girls. Performed by the award-winning Red Clay Dance Company ensemble, with original music by acclaimed Chicago musician Jamila Woods and costume design by Shaqui Reed and Alyna Michelle, the production blends Afro-contemporary dance, storytelling, digital media and immersive design to create a powerful and deeply resonant experience.

Inspired by The Black Girlhood Altar—the mixed-media installation created by A Long Walk Home artists Scheherazade Tillet and Robert Narcisco—this dance performance incorporates elements of the altar into its scenic and visual design, transforming the stage into a living sanctuary for remembrance, healing and collective action.

Spring 2027 concert at The Dance Center of Columbia College Chicago

Season 18: Spectrum continues with concerts from the Red Clay Dance Company ensemble at The Dance Center of Columbia College Chicago (1306 S. Michigan Avenue, Chicago) on April 8 and April 9, 2027, at 7:30 p.m. daily. The Company will perform Her Table by Rena Butler, Field: New Ground by Bebe Miller, Written on the Flesh by Vershawn Sanders-Ward, and a new work by Beatrice Capote.

Paint the Town Red fundraiser

Red Clay Dance Company's season concludes with its annual Paint the Town Red Fundraiser on Saturday, April 10 at 7 p.m. at Red Clay Dance Center (808 E. 63rd Street, Chicago). Themed A Spectrum Celebration, this evening of entertainment, community engagement and philanthropy supports Red Clay Dance Company's mission to awaken Glocal Artivism and empowerment through dance, and build the Company's 1 Million Artivists Strong initiative to connect and activate supporters who believe the arts can strengthen communities and move justice forward.

About the Season 18 choreographers

Vershawn Sanders-Ward is a visionary director, choreographer, educator, and Artivist who is transforming the landscape of contemporary dance through her art and activism. As the Founding Artistic Director and CEO of Red Clay Dance Company, she blends African diasporic dance forms with contemporary techniques, creating performances that inspire social change and provoke thought. A lifelong advocate for community empowerment, Vershawn uses dance as a platform to explore themes of identity, race, and justice.

She has earned numerous accolades, including the inaugural Walder Platform Award, a Dance/USA Artist Fellowship, a Chicago Dancemakers Forum Award, and a 3Arts Award. Most recently, she was selected as a 2026 Creation Fund Artist in support of her new interdisciplinary work, WE THE PEOPLE, and as a 2026 BTLI Artist-in-Residence, contributing to the creative development of the Bronzeville Trail through community-engaged artistic practice. She is also commissioned to create a new work for the University of Texas at Austin Department of Theatre and Dance during the 2026–27 season.

Vershawn's choreography has been presented at prestigious institutions including Northwestern University and Loyola University Chicago, with commissions extending across the United States and internationally. An accomplished educator, she holds an MFA in Dance from NYU. Her influence extends beyond the stage through her service as a Board Trustee for Dance/USA. A Community Impact Fellow for the Harvard Business School Club and a featured guest on PBS's The Expressway with Dulé Hill, Vershawn's commitment to equity and inclusion in the arts continues to shape the future of dance, culture, and civic engagement globally.

Rena Butler hails from Chicago and began her studies at The Chicago Academy for the Arts. She studied overseas at Taipei National University of the Arts in Taiwan, and received her BFA from SUNY Purchase Conservatory of Dance. Rena performed with companies including Hubbard Street Dance Chicago, AIM by Kyle Abraham, Bill T. Jones/Arnie Zane Company, David Dorfman Dance, The Kevin Wynn Collection, Pasos Con Sabor Salsa Dance Company, and Gibney Company. Rena is a recipient of the prestigious 2019 Princess Grace Foundation Award for Choreography and San Francisco's 2024 Isadora Duncan Dance Award for Outstanding Achievement in Choreography. She has created works for Het Nationale Ballet in The Netherlands, National Ballet of Canada, San Francisco Opera's Orpheus and Euridice, Hubbard Street Dance Chicago, Pacific Northwest Ballet, Norrdans in Sweden, AIM By Kyle Abraham, Gauthier Dance in Stuttgart, Germany, The Lyric Opera of Chicago's Proximity, Cincinnati Ballet, Le Ballet de L'Opéra Grand Avignon and Arles Youth Ballet Company in France, The New Orleans Museum of Modern Art, SALT Dance, a film for Third Coast Percussion x Devonté Hynes/Blood Orange, Oregon Ballet Theater, The Juilliard School, Oklahoma City Ballet, Parsons Dance, TEDxChicago Virtual Salon 3.0: Design Your Life, Charlotte Ballet, BalletX, and more. She was the featured cover story for Dance Magazine's November 2021 issue.

Beatrice Capote is a Cuban American dancer, choreographer, and educator, and the creator of Capotechnique™, a fusion of Afro-Cuban traditions and Contemporary dance. She is an Associate Professor of Contemporary Dance at Indiana University Bloomington and has received critical acclaim for her work, including her role as Yoruba Consultant and Choreographer for The Half God of Rainfall, which earned a 2023 AUDELCO Award nomination. Capote's choreography centers Afro-Cuban narratives and has been presented at major festivals and venues nationwide. She has collaborated with artists such as Angeìlique Kidjo, Paquito D'Rivera, and Wynton Marsalis, and performed with renowned dance companies including Camille A. Brown & Dancers, A.I.M by Kyle Abraham, INSPIRT by Christal Brown, and others. Her honors include the 2024–2025 Mellon Foundation Hemisphere Guest Artist in Residence award. 

A native New Yorker, Bebe Miller first performed her choreography at NYC's Dance Theater Workshop in 1978. She formed Bebe Miller Company in 1985 to pursue her interest in finding a physical language for the human condition. Committed to keeping dance available to a wide spectrum of people and to further the conversation about the role of arts and creativity in our culture, Miller is dedicated to providing access to the creative process and expression to diverse communities. She has created more than 50 dance works for the company and has been commissioned and presented by 651 ARTS, BAM Next Wave, DTW, Jacob's Pillow, Joyce Theater, PICA, REDCAT, Walker Art Center, and Wexner Center for the Arts among others. Her choreography has been performed by Kyle Abraham's A.I.M. (Abraham In Motion), Dayton Contemporary Dance Company, Oregon Ballet Theater, Boston Ballet, Philadanco, Salt Lake City's Repertory Dance Theater, the UK's Phoenix Dance Company, PACT Dance Company of Johannesburg, South Africa, and at a host of colleges and universities including the Dance Center of Columbia College Chicago. Named a Master of African AmericanChoreography by the Kennedy Center in 2005, Bebe has been a Movement Research honoree, has received four New York Dance and Performance "Bessie" awards, the David R. White Award from New York Live Arts, United States Artists and Guggenheim Fellowships, honorary doctorates from Ursinus College and Franklin & Marshall College, and is one of the inaugural class of Doris Duke Artist Award recipients. Bebe is a Distinguished Professor Emerita in The Ohio State University's Department of Dance and lives in Columbus, OH.

About Red Clay Dance Company

Led by Founding Artistic Director and CEO Vershawn Sanders-Ward, Red Clay Dance Company is a Black women-led, Black-benefiting professional dance organization that moves the world through Artivism—the integration of art and activism to inspire social transformation. Rooted in the dances, histories, and movement technologies of the African Diaspora, Red Clay Dance creates, performs, and teaches work that uplifts Black voices, dismantles systemic inequities, and cultivates collective joy and liberation.

At the heart of the organization is our professional touring company, Red Clay Dance, Chicago's premier Afro-Contemporary dance ensemble. Now in its 17th season, this award-winning company serves as the artistic engine of Red Clay Dance Company, touring locally, nationally and internationally to share stories of the African Diaspora that challenge oppression, celebrate identity, and ignite agency. Red Clay Dance has graced renowned stages such as Jacob's Pillow, The Yard, the Museum of Contemporary Art Chicago, Harris Theater for Music & Dance, the Dance Center of Columbia College Chicago, the DuSable Museum of African American History, ODC Theater, Dance Mission Theater, The Painted Bride Art Center, and the National Theatre of Uganda. Through technically rigorous and culturally grounded performance, the company affirms African-rooted forms as powerful and enduring modes of innovation, expression, and resistance. 

The touring company's artistic excellence informs our education and community engagement programs, including Making the Artivist Apprenticeship and School/Community Education Partnerships, reaching more than 2,500 students and 4,000 families annually. From our home—the Red Clay Dance Center in Chicago's historic Woodlawn neighborhood—we provide access to high-quality dance training, mentorship, and professional development for artists and community members through our classes and In the Making Membership. Together, our ecosystem of touring, teaching, and training sustains a vibrant hub for Glocal Artivism—proving that dance is not just performance, but a pathway to equity, empowerment, and lasting change.