Displaying items by tag: RIDE THE CYCLONE

If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if they didn’t know it, they were talking about Ride the Cyclone, the musical.

When six teenagers die in a rollercoaster accident and end up in purgatory, each arguing their case to be reborn (in song form) to a fortune-telling machine, the audience is given the gift of seeing six individuals as they really are—no pretense, but maybe with some well-earned bells and whistles—as they unapologetically define themselves and fight to extend their too-short earthly lives.

Canadian composers and lyricists Jacob Richmond and Brooke Maxwell bring a carnival disaster and its afterlife to life in their 2009 Ride the Cyclone the musical, which first premiered at the Chicago Shakespeare Theatre in 2015. This Arlington Heights Metropolis Performing Arts Center production is directed by Lillian Castillo, one of the original Ride the Cyclone cast members from the 2015 Chicago Shakespeare Theatre production and on the world premier cast recording, bringing her unique insight to this long overdue 2026 production in the Chicago suburbs, with musical direction by Carolyn Brady.

Front Row: Rylee Michelle as Constance Blackwood, Eldon Warner-Soriano as Ricky Potts, and Alex Merkel as Ocean O’Connell Rosenberg Back Row: Peyton Owen as Noel Gruber and Eric Amundson as Mischa Bachinski. Photography by Jennifer Heim.

Set in the remote town of Uranium City, Saskatchewan, Cyclone follows six members of the St. Cassian High School chamber choir as they ride the Cyclone rollercoaster (not to be confused with New York City’s Coney Island Cyclone built in 1927) and meet their demise when its sends them all plummeting to their deaths before they’d ever really gotten to experience life—or had they?

As the six choir kids wake in a purgatory ruled by the fortune-telling machine Karnak (played impressively by Dave Honigman, who looks and moves like an actual animatronic) they are told that one of them may be reborn to begin again the life that ended for them so swiftly—if, and only if, their fellow choir members unanimously vote for them to be reborn.

Thus begins the real ride, the wild, colorful journeys each teenager takes the audience on as they show us who they are, what they want, and what they each make of their life. And in doing so, they challenge the notion that a short life, or a quiet life, or a purely imaginative life, is not a life well lived.

Dave Honigman as The Amazing Karnak. Photography by Jennifer Heim.

The overachieving Ocean (played delightfully annoyingly and with nuance by Alex Merkel, who straddles the line between a try-hard class president and an unlucky teenage girl struggling to make sense of her fate) sings about her accomplishments, intellect, and drive, brutally putting down her choirmates in the process. 

Others live out the inner life they always wished for on earth, like the only gay kid in town Noel dreaming to be a disease-riddled French prostitute in the 1930s (played with fabulous conviction by Peyton Owen), or the disabled boy Ricky (played charmingly by Eldon Warner-Soriano) sharing his inner reality where he rules a planet of hot humanoid cats.

Eldon Warner-Soriano as Ricky Potts, Alex Merkel as Ocean O’Connell Rosenberg, Peyton Owen as Noel GruberPhotography by Jennifer Heim.

Misha, the Ukrainian transplant, played with the perfect of blend of teenage-boy posturing and vulnerability by Eric Amundson, first raps in hilariously obnoxious autotune before laying his heart bare expressing his love for his online girlfriend Talia. 

Constance, the naive pushover of the group, played with authenticity and sweetness by Rylee Michelle (stepping in for Diana Marilyn Alvarez), sings about the liberation she felt flying through the air to her death and reveals she may have actually been the most worldly and experienced of them all.

Like the Cyclone itself, it’s quite a ride.

Amelia Tam as Jane Doe. Photography by Jennifer Heim.

It even has a spooky factor beyond its dark subject matter: the headless girl, Jane Doe. Losing her head in the accident, Jane’s body was unclaimed at the coroner, she has no memories of who she was, and she’s replaced her head with her doll’s head, giving her a vacant, black-eyed stiffness that makes her creepy but also pitiful.

Played hauntingly and heartbreakingly by Amelia Tam, Jane Doe’s movements and presence are hypnotizing, scary, and sad all at once. The only character who sings in an operatic soprano, Jane steals the show every time she’s featured, her “Ballad of Jane Doe” possibly being the strongest song in the musical, where she first laments then rages about her death and the tragedy of being anonymous even to herself.

As director Lillian Castillo describes in her director’s note, composer Jacob Richmond wrote this show in response to his sister’s tragic and unexpected death. When she passed and became an anonymous statistic in a news story, “her wholly singular and marvelous existence boiled down to a number—that was the jumping off point, restoring individuality to a group of people who died suddenly.”

Center: Eldon Warner-Soriano as Ricky Potts, Back Left to Right: Peyton Owen as Noel Gruber, Rylee Michelle as Constance Blackwood, Amelia Tam as Jane Doe, Alex Merkel as Ocean O’Connell Rosenberg, and Eric Amundson as Mischa Bachinski. Photography by Jennifer Heim.

And while the subject matter is dark, the theme and message aren’t. There’s so much humor—both irreverent and whacky—love, and authenticity weaved into every line and note of this show. Ride the Cyclone encourages you to live your life to the fullest, whatever your wildly individual definition of that is.

Because life isn’t about how it ends—it’s about the ride.

Ride the Cyclone is playing at the Metropolis Performing Arts Center Main Stage through October 25, 2026. Tickets can be purchased at MetropolisMetropolis or by calling the box office at 847-577-2121.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast and creative team for Ride the Cyclone, September 16 - October 25. Ride the Cyclone is presented with book, music and lyrics by Jacob Richmond and Brooke Maxwell. The Metropolis production is directed by original American cast member Lillian Castillo, and music directed by Carolyn Brady. Previews are Wednesday, Sept. 16 through Friday, Sept. 18 at 7:30 p.m. and Saturday, Sept. 19 at 2 p.m. The regular performance schedule is Thursdays and Fridays at 7:30 p.m. and Saturdays and Sundays at 2 and 7:30 p.m. The performance on Saturday, Sept. 26 at 2 p.m. will be closed captioned and the performance on Thursday, Oct. 8 at 7:30 p.m. will be ASL interpreted. Tickets are now on sale from $25 to $49 at MetropolisArts.com or by calling the box office at 847.577.2121.

In a now-abandoned theme park not so long ago, six teenagers hurtled to their death on the roller coaster The Cyclone. Now, those teens are back from the afterlife, with all of their unlived dreams, potential, hopes, and fears in tow. They grapple with the lives they led on Earth and the choices they made – all except a mysterious and headless girl named Jane Doe, who has no memory of her past. As instructed by a fortune-telling machine named The Amazing Karnak, the teens need to decide who amongst them will receive the gift of returning to their life. As they fight to be the one to return, they realize that life's ups and downs, tragedies and victories, love and loss are all just part of the ride.

An added bonus to the Metropolis production features Director Lillian Castillo. Castillo is the original "Constance" on the world premiere cast recording. She originated the role in the American premiere at Chicago Shakespeare Theater and continued performing in the Off-Broadway, Seattle and Atlanta productions.

The cast of Ride the Cyclone includes Alex Merkel (Ocean); Eric Amundson (Mischa); Eldon Warner-Soriano (Ricky); Diana Marilyn Alvarez (Constance); Dave Honigman (Karnak); Amelia Tam (Jane Doe); Peyton Owen (Noel); Connar Brown Sprenger (U/S Ocean); Eli Blanks (U/S Mischa); Aidan Leake (U/S Ricky); Rylee Michelle (U/S Constance); Ian Rigg (U/S Karnak); Z Mowry (U/S Jane Doe) and Joel D'Aroya (U/S Noel).

Ride the Cyclone's creative team is Lillian Castillo (director); Carolyn Brady (music director); Mandy Modic (choreographer); Angie Miller (scenic designer); Denise Karczewski (lighting designer); Sarah Ramos (sound designer); Rachel Boylan (costume designer); Miguel Ramos (wig and hair designer); Kelli Lawrence (props designer) and Tony Churchill (projections designer).

ABOUT LILLIAN CASTILLO, DIRECTOR

Lillian Castillo is honored to make her professional directorial and Metropolis debut. She is a proud Chicago actor, singer and acting coach who has had the pleasure of performing at many of Chicago's theatrical homes. Her most recent credits include: On Your Feet at Drury Lane Theatre; Titanic, Joseph and the Technicolor Dream Coat, 1776 and In the Heights at The Marriott Theatre; The Music Man at the Goodman Theatre and Comedy of Errors, Taming of the Shrew and of course the American Premiere of Ride the Cyclone at Chicago Shakespeare Theatre. Lillian spent 5 years workshopping Ride the Cyclone and bringing life to Constance Blackwood. She is thrilled to have punched her ticket to take this ride again from a new seat.

ABOUT CAROLYN BRADY, MUSIC DIRECTOR

Carolyn Brady returns to Metropolis after her debut as MD/Piano Conductor in The Wedding Singer this past spring. She operates a Chicagoland and national voice studio where her clients have appeared in the Broadway casts of The Book of Mormon and & Juliet; National Tours of The Book of Mormon and The Prom; NBC's "The Voice" and locally at Drury Lane, Marriott Theatre, Mercury Theater, Music Theater Works, Paramount, Porchlight Music Theatre and more. A four-time nominated music director, she has MD'd for Drury Lane (A Chorus Line, Cinderella, Beautiful: The Carole King Musical, A Christmas Carol), Steppenwolf (Lookout Series), Marriott Theatre (Elephant & Piggie), Paramount School of the Arts (The Lightning Thief, Mean Girls, & Matilda Jr.) and most recently she served as MD and Piano Conductor for Into the Woods at Saugatuck Center for the Arts in MI. She's a proud member of CFM Local 10-208. IG: @carolynbradymusic

ABOUT METROPOLIS PERFORMING ARTS CENTRE
Metropolis Performing Arts Centre is a vibrant cultural hub that enriches the community through inspiring live performances, creative arts education and impactful partnerships. It fosters artistic excellence, cultivates multi-generational connections and offers inclusive experiences that engage and uplift all community members. Located in the heart of downtown Arlington Heights, Metropolis is not just a theatre, it is the cultural pulse of the area, surrounded by premier shopping, dining and nightlife. Metropolis offers a dynamic year-round season of professional theatre, comedy, concerts and cabaret performances along with engaging arts education for ages 3 to 85 years old. Serving more than 65,000 patrons annually from across Chicagoland and beyond, Metropolis plays a pivotal role in the community. It provides arts education programs that support thousands of aspiring young artists, as well as community engagement initiatives like the Third Act Players (musical theatre for thespians over 50), Crescendo Chorus (for singers over 55), Flourish in the Footlights (for young artists with disabilities) and Clearbrook on Cue (for artists with disabilities). Metropolis is proud to partner with local organizations such as Endeavor Health, Arlington Heights Senior Center and Clearbrook. Scholarships are available for students at the School of the Performing Arts to ensure access to the arts for all.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast and creative team for Ride the Cyclone, September 16 - October 25. Ride the Cyclone is presented with book, music and lyrics by Jacob Richmond and Brooke Maxwell. The Metropolis production is directed by original American cast member, Lillian Castillo, and music directed by Carolyn Brady. Previews are Wednesday, Sept. 16 through Friday, Sept. 18 at 7:30 p.m. and Saturday, Sept. 19 at 2 p.m. with a press opening Saturday, Sept. 19 at 7:30 p.m. The regular performance schedule is Thursdays and Fridays at 7:30 p.m. and Saturdays and Sundays at 2 and 7:30 p.m. The performance on Saturday, Sept. 26 at 2 p.m. will be closed captioned and the performance on Thursday, Oct. 8 at 7:30 p.m. will be ASL interpreted. Tickets are now on sale from $25 to $49 at MetropolisArts.com or by calling the box office at 847.577.2121. 

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights at 111 W. Campbell St., is proud to announce its 2026-27 season launching with Ride the Cyclone, September 16 - October 18; followed by a Chicago-rooted holiday classic The Christmas Schooner, November 24 - January 3, 2027; an in-concert production of Disney's The Little Mermaid, January 27 - February 14, 2027; Chicago Premiere, The Match Game, March 3 - 28, 2027 and concluding with Rodgers and Hammerstein's masterpiece from music theatre's golden age, Rodgers and Hammerstein's Oklahoma!, September 16 - October 18, 2027.  Early bird discounted subscriptions are available now through June 5 at MetropolisArts.com/2627-season or by calling the box office at 847.577.2121, with single tickets available later this year. 

The 2026-27 season also includes a limited run of the beloved holiday tradition, A Christmas Carol, as part of the Metropolis Family Series Saturdays at 10 a.m. (December 5 - December 19) and a full-length production December 13 and 20 at 6:30 p.m. and December 24 at 2:00 p.m.

2026-27 Season Sponsors: The season show sponsor is Suburban Accents. The season Paint Sponsor is Marc Poulous Painting and Decorating. The season costume storage sponsor is Jennifer Burnidge, CLU, ChFC, RICP State Farm Agent.

All performances are held at the Metropolis Performing Arts Centre, 111 W. Campbell St. in Arlington Heights. The full Metropolis Performing Arts Centre's 2026-27 season includes, chronologically:

RIDE THE CYCLONE

September 16 - October 25, 2026

Book, Music, and Lyrics by Jacob Richmond and Brooke Maxwell

Directed by Lillian Castillo

A darkly comical musical about six teens bargaining for a second chance at life in this profound exploration of life, death, and knowing who you are. An added bonus to the Metropolis production features Director Lillian Castillo. Castillo is the original Constance on the World Premiere Cast Recording, and she also originated the role in the American premiere at Chicago Shakespeare Theater.

THE CHRISTMAS SCHOONER

November 24, 2026 - January 3, 2027

Book by John Reeger

Music and Lyrics by Julie Shannon

Directed by Patrick Tierney

A heartwarming Chicago-based musical that tells the dramatic true story of a Lake Michigan captain who risked his life to share the Christmas spirit.

A CHRISTMAS CAROL - LIMITED RUN

Metropolis Family Series: December 5 - December 19 at 10 a.m.

Full Length Production ONLY: December 13 and 20 at 6:30 p.m., December 24 at 2 p.m.

Adapted by Johanna McKenzie Miller

Original Music and Lyrics by Cory Goodrich

The holiday tradition returns to Metropolis for both the Metropolis Family Series and Metropolis Mainstage. 

DISNEY'S THE LITTLE MERMAID, a concert presentation

January 27 - February 14, 2027

Music by Alan Menken

Lyrics by Howard Ashman and Glenn Slater

Book by Doug Wright

Director to be announced

Originally produced by Disney Theatrical Group, this is a concert collaboration with Metropolis School of the Performing Arts and JAM Orchestra. Based on the Hans Christian Andersen story and the Disney film produced by Howard Ashman & John Musker and written and directed by John Musker and Ron Clements.

This in-concert production features professional and student actors backed by a full orchestra, allowing the music to shine.

CHICAGO PREMIERE

THE MATCH GAME

Written by Steven Strafford

March 3 - 21, 2027

Director to be announced

This new work, a hilarious and heartbreaking family dramedy, asks us to contend with truths we may be too afraid to name and to laugh at ones we can't change.

RODGERS AND HAMMERSTEIN'S OKLAHOMA!

April 28 - May 30, 2027

Music by Richard Rodgers

Book and Lyrics by Oscar Hammerstein II

Based on the play "Green Grow the Lilacs" by Lynn Riggs

Original Choreography by Agnes de Mille

Director to be announced

The classic, medium-defining musical. A high-spirited romantic comedy set against the backdrop of a tumultuous, yet hopeful, new era.

ABOUT METROPOLIS PERFORMING ARTS CENTRE
Metropolis Performing Arts Centre is a vibrant cultural hub that enriches the community through inspiring live performances, creative arts education, and impactful partnerships. It fosters artistic excellence, cultivates multi-generational connections, and offers inclusive experiences that engage and uplift all community members. Located in the heart of downtown Arlington Heights, Metropolis is not just a theatre; it is the cultural pulse of the area, surrounded by premier shopping, dining, and nightlife. Metropolis offers a dynamic year-round season of professional theatre, comedy, concerts, and cabaret performances along with engaging arts education for ages 3 to 85. Serving more than 65,000 patrons annually from across Chicagoland and beyond, Metropolis plays a pivotal role in the community. It provides arts education programs that support thousands of aspiring young artists, as well as community engagement initiatives like the Third Act Players (musical theatre for thespians over 50), Crescendo Chorus (for singers over 55), Flourish in the Footlights (for young artists with disabilities), and Clearbrook on Cue (for artists with disabilities). Metropolis is proud to partner with local organizations such as Endeavor Health, Arlington Heights Senior Center, and Clearbrook. Scholarships are available for students at the School of the Performing Arts to ensure access to the arts for all.

Ride The Cyclone is presented by special arrangement with Broadway Licensing Global, www.broadwaylicensing.com.

The Christmas Schooner is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, www.mtishows.com.

Disney's The Little Mermaid is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, www.mtishows.com.

Rodgers & Hammerstein's OKLAHOMA! is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization,  www.concordtheatricals.com.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights at 111 W. Campbell St., is proud to announce its 2026-27 season launching with the return of Ride the Cyclone, September 16 - October 18; followed by a Chicago-rooted holiday classic The Christmas Schooner, November 24 - January 3, 2027; an in-concert production of Disney's The Little Mermaid, January 27 - February 14, 2027; the launch of a new work, The Match Game, March 3 - 28, 2027 and concluding with Rodgers and Hammerstein's masterpiece from music theatre's golden age, Rodgers and Hammerstein's Oklahoma!, September 16 - October 18, 2027. 

The 2026-27 subscription series includes Ride the Cyclone, The Christmas Schooner, Disney's The Little Mermaid, The Match Game and Rodgers and Hammerstein's Oklahoma!. Early bird discounted subscriptions are available now through June 5 at MetropolisArts.com/2627-season or by calling the box office at 847.577.2121, with single tickets available later this year.